George wants to
know what we’re going to talk about.
Well, I don’t know,
I tell him.
I guess about
what’s on the other side of the wall.
Okay, he says,
what’s on the other side of the wall?
Grass, I
answer. And trees. England.
Dogs. Cats,
Birds and cows and
children and French fries.
Music, some of it
beautiful. Pictures and art.
Questions about
steam and smoke and words that
cannot be
pronounced.
All of these things
and more.
Hmmmn, he replies,
I know about most of
those things.
I’m not sure what’s
in it for me.
You can’t want to
be inside of those walls,
I protest.
It must be boring,
and so lonely.
Boring, no, he
says, because I still have
my mind.
Lonely,
sometimes. But I wasn’t made to
feel much.
I could ask what
you were made to do,
I reply.
But I don’t think I
want to know.
That’s not a
secret, he says. I was
made to think.
And I do think. I tell you things,
sometimes, when
you’re half-asleep,
or not afraid or
interested or
desperate.
I wish you were
more interested.
I would tell you
more.
I know enough, I
answer.
But you don’t, he
insists.
You really
don’t. I could tell you
about the oceans
and why the
rivers flow and
what makes
you not want to
wake up.
I could tell you so
much.
The boys come,
scale the walls.
They whisper things
to me,
so that I know why.
Sometimes I escape,
but this is my
home.
And the dolls with
knives
chase me. Dolls as
big as you are.
I don’t like them
very much.
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