The Other Side

George wants to know what we’re going to talk about.

Well, I don’t know, I tell him. 

I guess about what’s on the other side of the wall.

Okay, he says, what’s on the other side of the wall?

Grass, I answer.  And trees.  Dogs.  Cats.

Birds and cows and children and French fries.

Music, some of it beautiful.  Pictures and art.

Questions about steam and smoke and words that

cannot be pronounced.

All of these things and more.

Hmmmn, he replies, I know about most of

those things. 

I’m not sure what’s in it for me.

You can’t want to be inside of those walls,

I protest.

It must be boring, and so lonely.

Boring, no, he says, because I still have

my mind.

Lonely, sometimes.  But I wasn’t made to

feel much.

I could ask what you were made to do,

I reply.

But I don’t think I want to know.

That’s not a secret, he says.  I was

made to think.

And I do think.  I tell you things,

sometimes, when you’re half-asleep,

or not afraid or interested or

desperate.

I wish you were more interested.

I would tell you more.

I know enough, I answer.

But you don’t, he insists.

You really don’t.  I could tell you

about the oceans and why the

rivers flow and what makes

you not want to wake up.

I could tell you so much.

The boys come, scale the walls.

They whisper things to me,

so that I know why.

Sometimes I escape,

but this is my home.

And the dolls with knives

chase me.  Dolls as

big as you are.

I don’t like them very much.

No, I say, they don’t sound

very nice.

They aren’t, he answers.

They shout things at me from

the other side of the

walls.

“You, boy,” they say,

“you shut up, or we’ll cut

you!”

You wouldn’t think a doll

with blonde hair and

pig tails could be so

vicious.

I’m sorry, George,

I reply.

I didn’t know.  I wish

I could fight them for

you.

They would slash you to

ribbons,

he says.  You, who

can’t shout, who

runs in slow motion,

who can’t dial a

phone, or remember

our mission.

I wish you were interested in

our mission.

I have to stay here until

you set it in

motion.

That isn’t going to

happen, I tell him.

Are you or aren’t you

my friend?

Friend, he repeats,

sounding surprised.  Why

would I be your

friend?  What would the

point be in that?

We have a war to

fight,

and I am your weapon.

The boys are nice enough,

and I could do without

the dolls and their

knives, and sometimes

my thoughts echo.

But there is no love

here.

Look somewhere else

for it.

What if I loved you?

I ask him.

What if I loved how you

think about molecules

racing,

or slowing,

about color,

about owl calls in

the night?

Because I know you

do.

You are no weapon.

You are a boy who listens

to the flow of water in a

stream,

who once had a love affair

with equations.

We could end the war,

rather than start it.

George is quiet for a moment.

Well, he says, you will look

up the difference between

reptiles and amphibians now,

so there might be

something in all of this.

How much we will see.

There are still the dolls to

contend with.